May 182013
 

scratch day 2013It is officially World Scratch Day. Much as I love Scratch I struggle to see a programming language needed a day to itself. But then, I suppose, there are many less deserving things that get their own day.

Thinkspace at the Powerhouse Museum is running an event:

We’ll be remixing projects from the massive global scratch community, and adding animation based on some of the weird and wonderful things in our collection, and coolest images from our historic photo collections. We’ll be sharing our creations on our exclusive Scratch Day Gallery.

The gory details are as follows. When: 18 May 2013. Sessions: 11-12:15pm, 12:45-2pm, 2:30-3:45p. Cost$25, $20 members. Ages 7 and up. Details and bookings available from the Thinkspace webpage.

Apr 162013
 

What do science museums and Wiggles concerts have in common? You’re only going to see adults there if accompanied by a child – and in one case that’s a shame.

I visited Scienceworks in Melbourne over the weekend and was pleasantly surprised to see how many of the parents there were attracted to, and spending time on, the exhibits. Seeing adults engage with the exhibits was pleasing and thought-provoking. Now it goes without saying that the only adults there had kids with them; but, that’s not surprise, because in many science museums the exhibits function solely as a playground for the kids and the parents spend their time sitting in corners huddled over their iPhones. And that’s a shame.

It’s a shame because it presupposes that adults have nothing to learn in a science museum. Given the state of most people’s science education, that s a big leap. Most of us can learn a lot from a science museum, even if it’s only to crystallise dimly remembered forced science lessons.

It’s a shame because the best way for a child to actually learn something is to have an engaged adult help explain it. Museums can’t afford to have a demonstrator stationed at every exhibit, sadly, so the next best thing is for a child to bring their own.

It’s a shame because the best way to show a child that science is fun and interesting and engaging and useful is not to make it into a playground. It’s to have their parent demonstrate those things, to model the interest we hope for from our kids.

I’m not saying that the demonstrations should not be fun – we all like fun – but they also need to be educational and engaging at a level beyond an six-year-old. And that was the other noticeable thing at the science museum on the weekend – how few teenagers were there with their parents. If you pitch the exhibits at a pre-school or primary school level you not only lose a major part of what should be your audience, you lose a really important audience. Capturing the attention of teenagers who are at the point of beginning to focus their educational choices ought to be a major goal of any institution dedicated to science.

Making a science museum that works for older children, young adults and adults is important. It’s harder to do because the exhibits need to function as more than a playground, but the pay-off when it’s done well is very real. Science  museums should not just be for kids – they should be for every engaged member of the community.

Apr 052013
 
Wallace and Gromit hiding in the dark

Wallace and Gromit hiding in the dark

I so, so wish I wasn’t so consistently disappointed by the Powerhouse Museum. I want to love it, I really do – but I just keep coming away feeling let down.

We went to see the Wallace and Gromit’s World of Invention exhibition. We were all looking forward to it, having seen it several years ago at the Science Museum in London and loved it. Sadly it just didn’t live up to our expectations this time around. There are still some clever displays – the inventions that don’t work, like dehydrated water, certainly raised a smile. Overall though the presentation just left the experience feeling drab.

The London Science Museum put the show on in a light-filled open area. As you came in there was a two-storey slide the kids could go down, reminiscent of Wallace getting up in the morning. The show seemed to glitter with excitement and possibilities. There were staff on hand to help with creating ideas on paper and in modelling clay. It was fun and educational.

In contrast the Powerhouse’s version is in a dark, dark area with black-painted walls and uncovered doors. There’s a toddler slide in a corner. Many of the displays are beginning to look their age and don’t seem to have been polished or vacuumed. There were no staff to be seen, let alone encourage activity.

It’s still a good exhibition about ideas and invention. But it’s simply not displayed in an exciting way or to best advantage. Now at some level that’s going to be a matter of opinion, perhaps some people like the dark approach. What’s not so arguable is the lack of thought evident in the fact that an exhibition about invention does not mention, let alone link to, the wonderful designTECH display quietly sitting a floor down and showcasing the amazing inventing work of last year’s HSC students. What a squandered opportunity.

This, sadly, was not a cracking good job, Gromit!

Image: Ardman

Mar 222013
 

IronfestI love Ironfest. Jousting, steampunk stuff, blacksmiths, people dressed up as Napoleonic era soldiers, it really has the geeky lot. This year it is on 20 and 21 April, nicely in the middle weekend of the school holidays. Can’t wait.

The theme for Ironfest this year is Time Travel. Full details can be found on the website.

Meanwhile Wallace & Gromit’s World of Invention at the Powerhouse closes on the 26th of May.

Image: is from the Ironfest TV advert and was taken by David Hill, Blue Mountains Lithgow & Oberon Tourism.

Mar 212013
 

DangerWillRobinsonStudents will be able to steer a robot around the National Museum from the comfort of their own classroom according to the egregious decisions Communications Minster, Stephen Conroy. Conroy is reported as saying that this initiative is world-leading, beyond cutting edge. Well actually it is not – it’s an expensive and poorly thought-out marketing extravaganza.

Let’s start with the fact that this isn’t a robot. It’s a remote-controlled car with a camera on top. To be a robot the thing needs to be able to work automatically, by itself. (I’m being slightly unfair as the machine does have the capacity to avoid objects in its path; but please this is a rant.)

Then let’s move on to the fact that it’s a remote-controlled car that took a gob-smacking, staggering $3.5 million to create. For goodness sake, you could have funded some high school students to create this thing for less money and more educational outcome. Think how many students could have undertaken robotics for that much money! Or, in another way of looking at the issue, it’s about the same amount of money the government currently spends actually subsidising real visits to Canberra on school excursions. And let’s not forget the fact you can buy off-the-shelf telepresence robots for under $10,000.

Finally there’s the underlying core idea. This is the laudable idea that this will give remote students access to museum resources they could not afford to visit. I applaud giving students access to educational materials. But wouldn’t it be better to simply digitise the collection and create virtual walk-throughs that are pertinent to what the students are learning? All without issues of bad camera angles, awkward lighting, people standing in the way and so on. Sure the ‘robot’ may sound cooler, but it’s inherently physically limiting. A virtual collection could be browsed by hundreds of schools simultaneously, rather that one class viewing through a camera being driven about.

Not only that, but the actual museum is designed for real people to interact with. So the telepresent students will get a great, frustrating view of the interactive elements. Look but no touching. Surely, surely a fully interactive virtual exhibition would be more fun, more engaging, more educational.

The only conclusion I can draw from all of this is that bunging the word robot into the title makes the whole venture so sexy that it could attract funding and traction. The Minister’s gushing idea that this is beyond cutting-edge certainly makes it seem as if the developers put their finger right on the marketing pulse.

Dec 312012
 

alexanderI learnt some things about Alexander at the Alexander the Great: 2000 Years of Treasures exhibition. Probably chief amongst those was the extent to which myth and reality get entangled about the man.

There’s no doubt Alexander was an extraordinary military leader. He inspired his armies to greatness and steam-rolled over much of the World that was known to the Greeks at that time. Very sensibly he tempered ruthlessness while at war with great magnanimity in victory and it is this as much as anything else which ensured that his name endured. Well that and some good-looking statues of him. There’s no question that Alexander’s campaigns lead to Greek influence over much of the Northern World and that in turn has a fascinating impact even to today. So he’s well worth finding out more about.

The Exhibition is drawn from the Hermitage’s collection which makes it a bit eclectic. The older part of the collection seems largely to have been drawn together from looted burial mounds from Southern Russia. That means there’s an emphasis on small, expensive items such as coins and rings which were easily stolen and transported. What there is is interesting, but for the purposes of illustrating the man’s life it would have been nice if the curators could have also drawn upon other sources. The curators have, it must be said, generally done an excellent job with that they have. The supporting text is clear and interesting and the underlying story of how myth and reality have become interwoven is both skillfully crafted and a great way of making the most of the collection’s limitations.

Probably the most obvious criticism of the Exhibition lies in the layout. Because Alexander’s life revolved around a rolling campaign he was constantly moving. This means that his story is much more sequential than most: In this year has was in one place fighting the Persians, the next he had moved on to Egypt. It would have been nice if the layout had snaked its way through the space keeping the events in sequence. Because the exhibition is set out around the sides of separate rooms people had to mill about to follow the sequence and that in turn meant there was always crowds around the display cases trying to read the explanatory material. That was frustrating regardless of height, but with kids it got extremely tiring as they tried to see through the forest of legs and bums.

The Museum provides a couple of apps for the phone one of which provides the story panels on your phone. The other is a simple game for the kids to keep them interested.

If your kids have any interest in Greek mythology, and many do thanks to Percy Jackson, there something there for them anyway. However, once you’re past the first main room there isn’t so much outside of the story itself to grab their attention. So the success of a visit will depend greatly on the kids. If you don’t have kids to concern yourself with, the exhibition is definitely worth a visit: Alexander’s story is fascinating and it is great to see it illustrated with such lovely objects.

For full details on Alexander at the Australian Museum see the Exhibition site.

Image: Australian Museum / Alexander Exhibition.

Nov 292012
 

Taronga Zoo has now been mapped by Google Street View bringing the usual 360-degree street level view to your screen – this one complete with animals. While I’m not sure how useful this is, it is cute and probably counts as a viable step in Google’s efforts to map every detail of the world.

The slightly amusing thing is that the Street View mapping was clearly done by a guy on a bicycle. His helmeted head features in most of the views – apart from the moments when the heat clearly got to him and you can see he took the helmet off.

They’ve also added Luna Park to Street View, although I defy anyone to get lost in the single central boulevard.

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