Feb 272015
 

powerhouseI was sad to read this morning that The Powerhouse site, for what is now called the Museum of Applied Arts and Sciences, is to be sold, and the Museum relocated to an unspecified location in Western Sydney.

The given rationale, that this is a way to support arts and culture in Western Sydney doesn’t stand up to much scrutiny. I’m all for Western Sydney having easy access to facilities, but I don’t notice much pressure to move the Sydney Dance Company or the Sydney Cricket Ground or Parliament House ‘closer to a third of the State’s population’. So either applied arts and sciences is patronisingly seen as more appropriate for the Western Sydney population, or the $200 million price-tag for the site overwhelms other considerations.

It’s also very noticeable that the one spot in the entire city that our public transport system is directed towards is the CBD – which is why most of the cultural and other institutions are there. This decision certainly doesn’t reflect the NSW government’s rhetoric of pushing of STEM education.

It’s hard, no impossible, to imagine London, Washington or Berlin moving their science museums or applied arts museums out of the central part of the cities. Why? Because they recognise the importance of a World-class science museum and they also recognise that, done properly, they are significant revenue earners.

To be fair, the MAAS, as I’ve been arguing for years, is not a World-class science museum and has brought its fate on itself through falling visitor numbers and relevance. It would be nice to think that the silver-lining here will be in the opportunity to build a new museum with up-to-date exhibits that work and a refreshed approach. I imagine all that will happen, but given the direction of the last few years I don’t imagine it will end up being the science museum I long for.

Feb 062015
 

thinkspace minecraftThere are some great looking coding opportunities coming up for kids at Thinkspace.

Thinkspace at MAAS – the Museum of Applied Arts and Sciences that was the Powerhouse – has a long tradition of doing really innovative stuff and that seems to be continuing with some great after-school and weekend creative opportunities.

There’s After-school Creative Computing: “Book now for after-school courses (one afternoon a week for 6 weeks) that explore creative computing. Discover the basics of the programming language Python from within Minecraft. Building in Minecraft with Python makes constructing huge towers as easy as writing a few lines of code (ages 9+). Or try your hand at Scratch, a fun software for animation and game design!”

There’s weekend work on building with Minecraft, on circuits, and on green-screen filming. There’s also a Scratch family day for Museum members, although that currently appears to be sold out. The list of activities is long and varied.

Slightly confusingly, several of the events are described as ‘drop-in’ but they still require booking. So don’t assume you can just turn up.

It’s great to see Thinkspace leveraging all the wonderful work it has done on holiday programs into weekend and after-school activities. And equally great to see these new opportunities appearing for Sydney kids to learn to code and build.

It’s equally refreshing, by the way, to see some of this pitched at adult visitors. There’s no reason only kids should learn to code.

See the Thinkspace website for all the electrically-charged details.

Jan 152015
 

DSC_000001The Nicholson Museum continues to please with its latest exhibition.

I don’t know who came up with the idea of using LEGO to illustrate the ancient world at the Nicholson Museum, but I do know that it was a fabulous idea.

The Nicholson’s latest offering is LEGO Pompeii, and it’s great. I love the way that the creators have woven millennia of history into a single diorama. So daily Roman life rubs shoulders with archaeologists digging the ruins and even Dr Who subtly visiting. The use of LEGO makes the whole thing both intriguing and fun.

Of course the danger in this approach lies in losing sight of the reality. For example my Senior Junior Archaeology Correspondents were scandalised by the depiction of lava beneath the city streets which, as they were keen to point out, is not how the eruption occurred. But that danger is balanced by excellent poster-boards of information surrounding the LEGO exhibit.

Even without the LEGO diorama, the Nicholson is worth visiting for its small, but always fascinating, collection. Although the Nicholson is small, it continues to punch well above its weight with a creative and innovative approach to an ancient subject matter.

Their website has all the details on planning a visit.

See also: The Nicholson is a jolly fine museum.

Nov 212014
 

museum applied arts and sciencePart of Rose Hiscock’s vision as the new Director of the Powerhouse Museum includes: “A brand strategy is in development to articulate the positioning, brand values and visual identity for the Powerhouse’s network of venues.”

I’m guessing we’re beginning to see the product of that strategy in the latest missives from the Museum. Where the core branding used to be the Powerhouse itself, it now appears to be shifting to the underlying Museum of Applied Arts and Sciences (MAAS). The Powerhouse is referred to as the somewhat unwieldy  “Museum of Applied Arts and Sciences’ Powerhouse Museum“. The seems to be a gentle shift, because the wording isn’t consistent across recent marketing materials, but it’s definitely there.

There’s a lot to be said for this approach given the underlying MAAS covers more than just the Powerhouse; the Sydney Observatory stands out. There’s a shiny website to describe what it’s all about at www.maas.museum. The MAAS 2020 vision is rather nicely set out there and all seems very laudable.

I can’t help but wish, though, as I do whenever I write about the Powerhouse that they would direct some time and effort into sorting out their current displays rather than focusing on exhibitions that may bring in paying heads but seem to have only a tenuous connection to their core purpose.

Nov 202014
 

powerhouse circusThe Powerhouse Museum has announced its latest exhibition with tickets on sale now for members.

The Circus Factory invites you to “Step into the ring of one of the most delightfully daring, spectacularly spectacular feats of showmanship, curiosity, absurdity and intrigue at Circus Factory”.

The Museum of Applied Arts and Sciences’ Powerhouse Museum will explode over summer with Circus Factory, a program of spectacular proportions, featuring all the wonder of the circus with live performance, sideshow favourites, local and international exhibits and vintage toys and novelties.

Explorers of all ages will journey through a world of imagination and discovery, crafted in collaboration with renowned French scenographer Gérard Cholot and designer Alban Le Henry, testing their skill and showmanship. Visitors can:

  • Ride a fairground carousel that is 100 years old
  • Test yourself with the strongman and laughing clowns
  • See over 60 circus costumes and props featuring ringmasters, animal trainers, acrobats and clowns
  • Wonder at hilarious kinetic sculptures created by David Archer
  • See photos and objects never seen before from Australia’s very own Wirth’s Circus
  • Throw yourself into a carnival world created by French scenographer Gérard Cholot and designer Alban Le Henry

During school holidays there will also be live performances from acclaimed Australian contemporary circus troupe, Circa.
                                                            
Although there’s free entry for kids, it costs $25 for an adult Powerhouse member and $35 for on-members. See here for all the hurdy-gurdy details.

Oct 292014
 

powerhouseThe Powerhouse Museum should not be moved to Western Sydney.

The Sydney Morning Herald reports this morning that Infrastructure NSW wants to move some or all of the Museum from its Ultimo base. The idea is to move it to somewhere in the Western Suburbs on the basis that most of the State’s arts funding goes into the CBD rather than out West where the weight of the population lies.

While I can’t say I’ve been in agreement often with the directions taken by the Powerhouse in the last few years (see here and here for example) I am in complete agreement that this is a really poor idea. The Museum’s Director, Rose Hiscock, rightly points out that “”You can’t just pick up a museum and move it.” My arguments with the Powerhouse have revolved around the lack of maintenance and innovative thinking which leads to Sydney not really having a viable science museum: A vibrant, educational and engaging science museum is one of the hallmarks of a progressive modern city. The idea of not having a real science museum readily accessible in the centre of the city is simply awful.

Hiscock suggests, rather than moving the Museum, using the opportunity to create a “a new interactive science centre as a secondary western Sydney location for the museum”. While a world-class interactive science museum is something Sydney really needs it’s hard to see why you would attach such a beast to the Powerhouse if it is sited in Parramatta. To set up an interactive science museum like the Exploratorium in San Francisco you need a big space and innovative thinking rather than iconic displays – so beyond shared back-office infrastructure it’s a little hard to see what the Powerhouse would bring to the party (although to be fair, if they let the Thinkspace people have their head good things might happen).

The Powerhouse should not be moved, it should not even be fiddled with or distracted from its main game which, at the moment, ought to revolve around getting its current activities right – until they can fix their broken educational displays, I have little enthusiasm for them doing anything else. According to the Museum’s latest annual report, 2012/13 attendance was down by more 17.6 per cent on its 10-year average. Moving the Museum wont fix that; changing it, improving it and fixing the bits that are actually broken will.

Put directly: Sydney ought to have a world-class science museum in its CBD. Realistically that has to be built around the Powerhouse and  resources should be put into making the Powerhouse great before anything is done that might dilute its efforts.

Oct 012014
 

museum-of-human-disease-unswWe’ll get to the zombies in a minute, but first some background.

The University of NSW is home to the Museum of Human Disease which is a museum that proudly earns its place on the list of the 10 weirdest museums in the World. Imagine rooms with walls lined with shelves and on those shelves are carefully preserved human organs, diseased human organs. A visit is, it must be said, a bit confronting: The combination of being surrounded by so many bits of dead people, some of which are obscure internal organs but many are readily recognisable as a foot or a finger, and seeing so many diseases leaves you both a bit creeped out and with a mildly distressing sense of your own mortality. I defy any thinking person to run off and have a drink after seeing a liver suffering from cirrhosis, or to be blasé about smallpox after seeing an infected limb.

But I don’t want to leave you with the impression that the Museum is all about gazing at bits of dead people. Quite the opposite. First, if you steel yourself, the exhibits are fascinating. More importantly, the staff make the whole place absolutely brilliant.  At the moment the educational theme is zombies and visitors can work their way through a series of puzzles identifying various diseases and working out who the zombie is from a list of candidates. It’s a great way to introduce students to diseases and diagnosis.

For further interactivity you can do a dissection. We’ve done things like this in several museums around the world, but this was far and away the best. It was an absolutely brilliant combination of the fascinating and the educational. The patient and knowledgeable teacher took a wide range of kids through dissecting a heart and a brain (sheep not human)  – which was interesting and completely pertinent in the context of the Museum. On our visit there were about 10 kids ranging from 6-13 also visiting and while they occasionally evinced some squeamishness, there’s no question they all learnt a lot.

If there’s one thing I’d like to see done differently in the Museum, it would be that they put some healthy organs side-by-side with the unhealthy ones. For a lay-person, it’s difficult to appreciate the ravages of the various diseases on the organs displayed when you don’t have a comparison point. Apparently there is a room full of healthy organs elsewhere in the University, but it’s not open to the public; so maybe even some comparison photos would help.

I highly recommend the Museum of Human Disease if you want to see something a little (OK, a lot) different. The zombie theme runs for a while yet; and is then being replaced by cyborgs for which the clever Museum education team have some wonderful plans.

And just to back all that up from the young person’s point of view, there’s this report filed by our Senior Junior Zombie Specialist, Declan P:

The museum of human disease is unusual, earning it the 9th spot in the world’s weirdest museums. But on top of that, it is cool. It features hundreds of diseased organs which are amazing to look at in disgust. They’re harsh and ugly, but also awesome to see and give you a sense of what diseases are actually like.

Though that is the main part of the museum, there is also the hunt to find the cases of disease. Basically, there are some captives, each with different diseases and one of them is a zombie. You have to find out who the zombie is and also what the others have caught. Once you have figured it out, you can check on a computer to see if you’ve been succesful.

Then you get to dissection. First you get a sheep’s heart to dissect, and you find out a lot about the heart and all its different sections. Actually cutting up a heart there makes the experience of learning about it much more real, and you can even pump it with your hands. It is simply a great way of learning about the heart. Then you take a sheep’s brain and dissect that (because…. zombies). It is squishy and easy to break but it gives you a better picture of what brains actually look like.

Of all the museums we have been to with dissection experiences, The Exploratorium and The Smithsonian to name two, this was by far the best dissection we have ever done.

I love this museum and definitely recommend it to everyone who gets the chance to come for an hour or two.